Theater

In I forgot, the Russian theatre maker Oxana Sankova confronts the pain of her youth.

A performance based on The Interrogative Mood by Padgett Powell that tries to evoke a landscape of possibilities.

Angela Kasner, whom we all know now as Angela Merkel, is a woman who exists. angel is a play about a woman who does not exist, but is slightly based on the real Angela.

An exercise in downsizing, shrinking, compacting. Making a lot of effort to achieve a little: a search for beauty in little things and the pleasure of time passing.

In this piece Geert Belpaeme asks us about being human, the environment, citizenship and power. He does so through the eyes of animals.

"Herrie" is a fiery hymn of praise to anyone who does not fully agree with how the world works and refuses to stay down.

Dag 3: Tankman is an enquiry into how silence works as political power, based on one of the most powerful images of the twentieth century.

Almost ten years after the dialogue with which Hof van Eede began – Wherever the world is going, that’s where we’re going – Ans Van den Eede and Greg Timmermans are presenting a second dialogue.

In Apparitions, Diederik Peeters investigates what exactly the deal is with life after death. Disguised as a spiritualist, he infiltrates the end of the nineteenth century, where he mixes with prominent scientists.

Muller begins a search for identity and love along the paths of destructiveness, addiction and redemption. Burning Butterfly is a raw and humorous look at sexuality, boundaries and power.

Three young women retell three age-old tales from a female perspective.

PAIN AGAINST FEAR is mindfulness on speed. The music is a merciless mixture of strong sound and Velissariou’s stubborn attempt at vulnerability.