Dans

Elisabeth Chojnacka was partly responsible for the revival of harpsichord music in the mid-twentieth century. ELISABETH GETS HER WAY is intended as a tribute to this remarkable woman.

Contre-jour is the latest production by not standing, Alexander Vantournhout’s company, where every creation starts with a fundamental interrogation of movement.

In a danced analysis of the alphabet, the dancer and choreographer Femke Gyselinck investigates the relationship between movement and typography, dance and the shape of letters.

For Rombouts, playing music is instant composition; for Vanden Eynde, dancing is thinking. Hyphen shows the strength and the vulnerability of acting and being present in the here and now.